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Nest sequences
You can nest sequences
within sequences—to any depth—to create complex groupings and hierarchies.
You can nest a sequence into another having a different timebase,
frame size, and pixel aspect ratio settings. A nested sequence appears
as a single, linked video/audio clip, even though its source sequence may
contain numerous video and audio tracks.
You can select,
move, trim, and apply effects to nested sequences as you would to
any other clip. Any changes you make to the source sequence are
reflected in any nested instances created from it.
The ability to nest sequences enables
you to employ a number of time‑saving techniques and to create effects
that otherwise would be difficult or impossible:
Reuse
sequences. When you want to repeat a sequence—particularly a complex
one—you can create it once, and then simply nest it in another sequence
as many times as you want.
Apply different settings to copies of a sequence. For example,
if you want a sequence to play back repeatedly but with a different
effect each time, just apply a different effect to each instance
of the nested sequence.
Streamline your editing space. Create complex, multilayered
sequences separately; then add them to your main sequence as a single
clip. This not only saves you from maintaining numerous tracks in
the main sequence, but also potentially reduces the chances of inadvertently
moving clips during editing (and possibly losing sync).
Create complex groupings and nested effects. For example,
although you can apply only one transition to an edit point, you
can nest sequences and apply a new transition to each nested clip—creating
transitions within transitions. Or you can create picture‑in‑picture
effects, in which each picture is a nested sequence, containing
its own series of clips, transitions, and effects.
When
nesting sequences, keep in mind the following:
You
can’t nest a sequence within itself.
Actions involving a nested sequence may require additional
processing time, because nested sequences can contain references
to many clips, and Adobe Premiere Pro applies the actions to all
of its component clips.
A nested sequence always represents the current state of
its source. Changing the content of the source sequence is reflected
in the content of nested instances. Duration is not directly affected.
A nested sequence clip’s initial duration is determined by
its source. This includes empty space at the beginning of the source
sequence, but not empty space at the end.
You can set a nested sequence’s In and Out points as you
would other clips. Trimming a nested sequence does not affect the
length of the source sequence. Also, subsequently changing the source
sequence’s duration does not affect the duration of existing nested
instances. To lengthen the nested instances and reveal material
added to the source sequence, use standard trimming methods. Conversely,
a shortened source sequence causes the nested instance to contain
black video and silent audio (which you may need to trim off the
nested sequence).
Nest a sequence in another sequence Drag a sequence from the Project panel
or Source Monitor into the appropriate track or tracks of the active
sequence, or use any of the editing methods for adding a clip. Note: You will not have to render audio before editing a nested
sequence.
Open the source of a nested sequence Double‑click a nested sequence clip.
The source of the nested sequence becomes the active sequence.
Reveal a source frame from a nested sequenceIf you want to reveal a clip in a nested sequence
(for example, to edit it), you can quickly open the source sequence
at the exact frame you want to reveal.
- In the Timeline panel, target the track in which
a nested sequence is located by clicking the header of that track.
If you target multiple tracks, the targeted track that is on top
is used to select the nested sequence.
- Drag the current‑time indicator to the frame of the nested
sequence that you want to reveal in its original sequence.
- Press Shift+T to open the source sequence in the Timeline
panel, with the current‑time indicator at the frame you specified
in the nested sequence.
- Double‑click the clip where the current‑time indicator
rests to open the clip in the Source Monitor.
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